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Writer's pictureRobin Cole-Jett

Ruins Tell Stories

Lots of the pictures I post on my website, www.redriverhistorian.com, tend to be of ruins – disused buildings and such – and sometimes, I’ve been accused of worshipping “ruin porn,” as if I am some voyeuristic pervert.  I find that such an obnoxious term, and wonder if the same people who tell me this also insult people who visit and take pictures of the pyramids in Egypt, Mexico, or Guatemala.

Before I get accused of comparing cultural icons like the Sphinx to a disused gas station in Italy, Texas, hear me out.


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Modern American culture and history are built on commercialism, not ancestor worship (note I wrote “modern American culture” – that means I’m not talking about Cahokia or Spiro). The first European settlements in North America consisted of trading posts and plantations. Religious and governmental structures, like the missions and presidios in San Antonio, were erected to support the colonial exploitation of the continent. And while American children have been taught that the pilgrims came to Massachusetts to found a religious settlement, that intention was secondary; they were part of the Plymouth Colony, the primary goal of which was to send beaver pelts, copper, and timber back to Mother England. (** Please note that Pilgrims and Puritans are both from the Anglican Separatist tradition and only became distinctive as American history was documented in latter years).

Therefore, I argue, the demise of American capitalism is well worthy of documentation. Detroit, as well as the thousands of ghost towns dotting the United States, are all prime examples of the disintegration of a culture based on economic gains. Think about it – the eerie beauty of the abandoned Michigan Central Station in Detroit is directly related to the city’s demise as an industrial center. The same goes for the derelict storefronts in small towns like Gotebo, Oklahoma, because they serve as a very tangible reminder of how corporations have come to dominate and homogenize the cultural landscape.


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Michigan Central Station, Detroit and Gotebo, Oklahoma

What can I say? People who derisively label photographs of American abandonments as “ruin porn” are historically illiterate.

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